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Publication: Baltimore Sun [US]
Date: December 1, 1996
Section:
Page Number(s):
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Title: Sun Review
Reviewed By: J.D. Considine
The Artist Formerly Known As Prince
Emancipation (NPG 54982)
Now that his long fight with Warner Bros. is finally over, the Artist
Formerly Known as Prince has shaved the word "slave" off his face and
announced his own "Emancipation." To say that he has been waiting for
this moment would be something of an understatement, given the wealth
of material on this 36-song, three-CD set. Even more amazing than the
package's size, though, is its consistency. There may not be much in
the way of great material here, but neither is there anything that's
truly terrible. Instead, what we get are solid grooves, interesting
sounds and well-crafted arrangements framing capable (if only mildly
catchy) melodies. As always, there are plenty of songs about sex and
dancing, as well as a couple of cyber-life numbers (including the
gloriously loopy "My Computer") and a few none-too-subtle swipes at
the recording industry (the most pointed of which is "White Mansion").
Longtime fans will be fascinated by the cover material (a first for
TAFKAP), particularly the falsetto-heavy "La, La, La Means I Love You"
and his semi-industrial take on the Joan Osborne hit "One of Us."
Perhaps the most beautiful and affecting moments, though, come as
TAFKAP moves from "The Holy River" to "Let's Have a Baby," a segue
that merges the sacred and profane more perfectly than he ever has.
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