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Publication: Time Out [US]
Date: November 25, 1996
Section:
Page Number(s):
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Title: Time Out Review
Reviewed By: Laura Lee Davies

Emancipation EMI
An album launch beamed by sattelite across the world; top-security
access to tracks before release; a continued insistence that the
artist's name is a symbol which looks like a piece of cheap gay
jewellery and, most significantly, making an album three CDs long when
the world has yet to hear a decent, justifiably double album... Things
didn't bode well for Prince's first album post Warners, especially as
most of what he's recorded this decade has been humpin' pumpin'
rubbish, with the very occasional diamond or pearl rising to the
surface.
Remarkably then, 's new album is quite the cutey: three hours of
funky, soulful, doo-woppy pop and rap grooviness with barely a lyric
about what a top shag the bouffanted tich is. Of course, it doesn't need
to be three CDs long, even if the stylish production does tighten up the
looser extremities. But once you have been through two hours of
pleasantly slick Prince-isms ( and the sound here really is more Prince
than ) your asthmatic gasps will be too heavy for you to fully
enjoy the superior third CD as you lie there in your pool of sweat.
Rhythmically harder, lyrically sharper (despite inevitable Prince whimsy
about websites etc) and far more consistently hook-laden than the other
two albums, disc three sounds much more like an artist refreshed and not
just a pop star concentrating that little bit harder in order to prove a
point to his old record company.
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