 
Publication: The Toronto Star [CAN]
Date: June 6, 1997
Section:
Page Number(s):
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Title: "Artistic Licence: Prince Prepares for Expected World Tour"
Reviewed By: Betsy Powell
Prince is renowned for turning in riveting performances and marathon jams
and he did it again last night at a rare club gig in the Warehouse in front
of 2000 fans.
It was a calling card performance of sorts for an expected world tour,
though details of that are still up in the air. He plays another nightclub
tonight in Montreal.
From the moment he launched into the funky "Jam Of The Year", his aim was
clear: to dazzle the sold-out crowd, whether it was with his slick dance
moves, soaring falsetto or musical virtuosity on glyph-shaped guitar,
electric keyboard or bass. He was also hamming it up, letting his black
sunglasses slip to his nose for a sly pose or wiggling his tush to the
crowd atop a speaker.
Dressed in head-to-toe gold, an outfit that matched the gold Chinese lions
flanking the stage, Prince, he prefers The Artist in place of the
unpronounceable glyph symbol, was in fine form backed by a revamped Power
Generation (sic) that includes Montrealers Kat Dyson on guitar and Rhonda
Smith on bass.
The bulk of the tunes in the set appear on last year's three-CD set,
Emancipation, though he was equally passionate playing his crowd-pleasing
classics like "Purple Rain", in a haze of purple lights.
The release of Emancipation marked his freedom from his old label Warner
and presumably a fresh start for the recent newlywed. But sales, not
surprisingly given the heft of the package, have been disappointing.
Which brings us to last night's performance. Prince, even wearing a smile
at times, was there to please and undoubtedly spur record sales. "We're
going to put our stamp on it tonight all right?" he yelled before tackling
Joan Osborne's hit "One Of Us", a cover that appears on Emancipation that
included the "slave like one of us" lyric change -- a reference to Prince's
former status.
Picture caption: PRINCELY PERFORMER: The Artist, as Prince prefers to be
known, played his crowd-pleasing classics like "Purple Rain" in a haze of
purple lights at the Warehouse.
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